Elvis Presley - I Got a Woman

About the song

(Watch the video below)

# The Birth of a Classic

Ray Charles's original version of "I Got a Woman" laid the groundwork for what would become a seminal track in the evolution of popular music. Charles's distinctive blend of gospel fervor and rhythm and blues swagger imbued the song with an infectious energy and soulful intensity. His impassioned vocals and innovative piano playing showcased his unparalleled talent and set a high bar for future interpretations.

### Elvis's Interpretation

Elvis Presley's cover of "I Got a Woman" retained the essence of Ray Charles's original while infusing it with his own unique style and charisma. Recorded at Sun Studio in Memphis, Tennessee, under the guidance of legendary producer Sam Phillips, Elvis's version showcased his raw vocal prowess and magnetic stage presence. Backed by his band, consisting of guitarist Scotty Moore, bassist Bill Black, and drummer D.J. Fontana, Elvis delivered a performance that captured the imagination of audiences worldwide.

Musical Arrangement and Innovation

Elvis-Presley-I-Got-a-Woman

Elvis's interpretation of "I Got a Woman" introduced elements of rockabilly and country music to the song, adding a distinctive twang and rhythm that set it apart from the original. Scotty Moore's iconic guitar licks, coupled with Bill Black's pulsating bassline and D.J. Fontana's infectious drumming, created a vibrant sonic backdrop for Elvis's electrifying vocals. The synergy between the musicians was palpable, elevating the song to new heights of musical brilliance.

### Lyricism and Themes

The lyrics of "I Got a Woman" revolve around themes of love, desire, and devotion, with the narrator expressing his infatuation with his significant other. Lines such as "Well, I got a woman, way over town / That's good to me, oh yeah" convey a sense of adoration and appreciation for the woman in question. The song's upbeat tempo and lively melody imbue it with a sense of joy and celebration, making it a favorite among fans of rock 'n' roll.

### Cultural Impact and Legacy

Elvis Presley's rendition of "I Got a Woman" became a cornerstone of his live performances and a fixture on radio playlists across the country. Its infectious groove and catchy refrain made it an instant hit with audiences, propelling Elvis to even greater heights of fame and fortune. The song's success helped solidify Elvis's reputation as a trailblazing innovator in the world of popular music, paving the way for his ascent to legendary status.

Elvis-Presley-I-Got-a-Woman

### Influence on Future Generations

The influence of "I Got a Woman" extends far beyond Elvis Presley's era, inspiring countless musicians across genres and generations. Its fusion of gospel, rhythm and blues, and rockabilly laid the groundwork for the development of rock 'n' roll and its subsequent evolution into various subgenres. Artists ranging from The Beatles to Led Zeppelin have cited Elvis as a major influence, with "I Got a Woman" serving as a prime example of his enduring impact on the musical landscape.

### Conclusion

"I Got a Woman" stands as a testament to Elvis Presley's unparalleled talent and enduring legacy. His electrifying rendition of the song captured the imagination of audiences worldwide, propelling it to iconic status within the pantheon of rock 'n' roll classics. With its infectious groove, soulful vocals, and innovative musical arrangement, "I Got a Woman" remains a timeless masterpiece that continues to resonate with listeners of all ages. Elvis's interpretation of the song showcased his ability to infuse traditional genres with his own unique style and charisma, leaving an indelible mark on the world of popular music that endures to this day.

Video

Lyrics

Let's sing along with the lyrics!

Well, I've got a womanWay cross townShe's good to me oh, yeahShe's my babyShe's a kind of friendAh, loving me
Say I've got a womanWay cross townShe's good to me oh, yeah
I've got a womanWay cross townShe's good to me oh, yeah
She's there to love me both day and nightNo groans or fusses, treats me rightNever running in the streetLeaving me aloneShe knows a woman's place is around home at night
I've got a womanWay cross townShe's good to me oh, yeah
I've got a womanWay cross townShe's good to me oh, yeah
Well, she's my babyAnd I'm her loving man
Well, I've got a womanWay cross townShe's good to me oh, yeah
I've got a womanWay cross townShe's good to me
I've got a woman (take her home)Way cross townShe's good to me, oh
"It'll be good if someone yell that at me""Take her home son""He will, don't worry you'll be sick of him""Ha ha""Can you, can you pass that guitar?""Ha ha ha ha""Beautiful"We once come right up in NBC thinking about boom boom boomWe was classic I remember he was "uh huh huh""Ha ha ha"Til the end of the show manHahaHey is that SmithDinosaurDinosaur